Este es otro paisaje marino con dos barcos de pesca. Estan cogiendo vieiras en Galicia.
Es un bocetto para una acuarela más grande y con otro diseño. He tratado de de pintar las olas del mar y el reflejo del cielo en él.
Other seascape with two fishing boats. They are capturing scallops in Galicia.
This is a sketch for one biggest watercolor and with other design. I have trying to paint the sea waves and the sky reflections on it.
Bienvenido a Acrílicos y Acuarelas con diferentes estilos
LAS PINTURAS NO ESTAN REGISTRADAS y pueden ser reproducidas de cualquier forma en cualquier medio. Agradeceré si se menciona mi autoría, pero no es obligatorio.
NO PAINTINGS ARE COPYRIGHTED and they may be reproduced in any form on any media. If the author is mentioned I would be very grateful, but neither is obligatory
domingo, 20 de marzo de 2016
miércoles, 16 de marzo de 2016
Marina/Seascape
Sigo pintando agua. En esta ocasión la playa y los pescadores empujando un bote al atardecer. Como puede verse lo más interesante de la pintura son las tres gaviotas. Un famoso pintor siempre las pinta en sus marinas. Yo he copiado su diseño, pero solo con tres. Tres es un número mágico en pintura.
Bueno, esto es una pequeña broma, pero no completamente.
Hay otros principios de diseño. Algunos pintores opinan que la unidad es el más importante. Si se observa mi pintura se verá que color azul es dominante, la dominancia es otro principio de diseño.
I keep on painting about water, in this occasion is on the beach and fishers pushing a boat at sunset.
The three seagulls, as you can see, is the most interesting part. One famous painter always paints several seagulls in his seascapes. I've adopted that design, but only with three seagulls. Three is a magic number in painting.
Well, this is a little joke, but not entirely.
There are others principles of design. Some painters think that unity is the most important. If you observe my seascape you'll see that the blue color is dominant, other design principle.
viernes, 4 de marzo de 2016
Paisaje/Landscape
Este paisaje muestra tres escenarios:el fondo, el plano medio y el primer plano. El fondo lo representa el cielo y las colinas lejanas, lo pinte en húmedo sobre húmedo y cuando todo estaba seco pinté el plano medio formado por el puente los árboles y la vegetación y por último el agua y sus reflejos que son el primer plano
This landscape shows three stages: background, middleground and foreground. I've painted wet-in-wet the sky and the far hills which represent the background, when all was dry I put the bridge, trees and vegetation that it's the middleground and finally the water and his reflections as foreground.
My colors were blue ultramarine, raw sienna, quinacridone red and a little of burn sienna
This landscape shows three stages: background, middleground and foreground. I've painted wet-in-wet the sky and the far hills which represent the background, when all was dry I put the bridge, trees and vegetation that it's the middleground and finally the water and his reflections as foreground.
My colors were blue ultramarine, raw sienna, quinacridone red and a little of burn sienna
jueves, 18 de febrero de 2016
Barcos de pesca/Fishing boats
He hecho otro ejercicio de pintar el mar en acuarela. Primero hice el cielo con colores de siena natural, quinacridona rojo y azul cobalto, luego puse un lavado claro con los colores del cielo sobre la zona del mar. Cuando el papel estaba casi mate deje unas pincelas algo espesas de azul y cambié a colores cálidos en la parte superior.
Cuando estaba seco pinte los barcos y sus reflejos.
I did other exercise about painting the sea in watercolor. First I painted the sky with colors raw sienna, quinacridone red and cobalt blue then I put a wash with the sky color over zone of sea. When the paper was almost matte, I dropped in some brush strokes of blue color with paint something thick but I changed with warm colors on top.
When it was dry I did the boats and their reflexions.
Cuando estaba seco pinte los barcos y sus reflejos.
I did other exercise about painting the sea in watercolor. First I painted the sky with colors raw sienna, quinacridone red and cobalt blue then I put a wash with the sky color over zone of sea. When the paper was almost matte, I dropped in some brush strokes of blue color with paint something thick but I changed with warm colors on top.
When it was dry I did the boats and their reflexions.
domingo, 14 de febrero de 2016
Luz de Venecia/ Venice's light
Sigo pintando temas de Venecia. Mi interés era sobre el fondo, cómo conseguir diferenciar entre el fondo y el plano medio de los edificios.
Dejé caer la luz del sol entre los edificios y sobre el agua.
He usado mis colores usuales: rojo quinacridona, azul cobalto y siena natural, también algo de ultramar y gis Payne.
I keep painting about Venice's themes. My interest was on the background, how getting to differentiate between the buildings in midground and background.
I left the sun light falling on one side of the buildings and over the water.
I've used my usual colors: crinaquidone red(it's a red similar to carmine), cobalt blue and raw sienna. Also I've used something of ultramarine blue and gray Payne.
Dejé caer la luz del sol entre los edificios y sobre el agua.
He usado mis colores usuales: rojo quinacridona, azul cobalto y siena natural, también algo de ultramar y gis Payne.
I keep painting about Venice's themes. My interest was on the background, how getting to differentiate between the buildings in midground and background.
I left the sun light falling on one side of the buildings and over the water.
I've used my usual colors: crinaquidone red(it's a red similar to carmine), cobalt blue and raw sienna. Also I've used something of ultramarine blue and gray Payne.
sábado, 13 de febrero de 2016
Venecia/Venice
Si se pinta en acuarela es completamente necesario pintar algo sobre Venecia.
Yo he cumplido con mi deber.
If you paint in watercolor it's completely necessary doing something about Venice.
I've done my duty .
Yo he cumplido con mi deber.
If you paint in watercolor it's completely necessary doing something about Venice.
I've done my duty .
viernes, 5 de febrero de 2016
Mariscadoras/ Shellfish gatheres
Empecé el cielo dejando algunas pinceladas con agua y después puse algunos colores azul, rojo y sienna natural. Cuando estaba casi seco pinté la costa para obtener bordes suaves y las nubes.
La arena la pinté con algunas zonas húmedo sobre húmedo y otras sobre seco. Uní el agua que pinté del mar con la arena para mostrar la arena mojada.
Use líquido de enmascarar para las figuras y no tener que pintar alrededor de ellas.
Por último pinté las figuras y sus reflejos.
I started the sky dropping some brushstrokes with water and later I put down some colors of blue, red, and raw sienna. When the wash was almost dry I painted the coast to get soft edges and clouds.
The sand of some areas was painted wet into wet, and others in dry. The water painted of the sea was joined with painted sand before, to show wet sand.
I used some masking fluid for the figures to avoid to paint around of them.
Finally I painted the figures and theirs reflections.
La arena la pinté con algunas zonas húmedo sobre húmedo y otras sobre seco. Uní el agua que pinté del mar con la arena para mostrar la arena mojada.
Use líquido de enmascarar para las figuras y no tener que pintar alrededor de ellas.
Por último pinté las figuras y sus reflejos.
I started the sky dropping some brushstrokes with water and later I put down some colors of blue, red, and raw sienna. When the wash was almost dry I painted the coast to get soft edges and clouds.
The sand of some areas was painted wet into wet, and others in dry. The water painted of the sea was joined with painted sand before, to show wet sand.
I used some masking fluid for the figures to avoid to paint around of them.
Finally I painted the figures and theirs reflections.
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